NEW TRACK
In July 2023 Grant completed recording the latest song in his acapella trilogy, In the Flesh, written by Deborah Harry and Chris Stein and first recorded by Blondie. In the accompanying video interview, Grant talks about his love of New York and his admiration for that city’s music scene of the 1970s and 1980s, of which Blondie were one of the leading lights.
Other wholly acapella tracks are Sorrow and Blabber and Smoke and Blah, Blah, Blah; all are available on this website. Grant is currently working with other musicians on further recordings.
Speaking about the track, Grant says: “In September 2022, I heard via radio, the song, In the flesh, by Blondie, which I had not heard since playing the LP, many years prior. On re-hearing Debbie Harry’s vocals, I thought it might be interesting to use the ambiguity of the title and sung lyric, to take Blondie’s song in a different direction and to purely do so, by acapella means.
I took inspiration from the original vocal line for my main vocal, changing some of the lyrics from female to male and added a short spoken intro and outro to add to the potential for interpretation of meaning and themes. I wrote and sang all the vocal lines and spoken parts to create new patterns, phrases and emphases. I thank Janet Fisher for her performance of the female spoken phrases, which were designed to both underscore location and to add a teasing and playful, converse perspective. I have also added reflective tones to conflate a tribute to my late beautiful Australia wife, Cheri.
As with many of my song’s lyrics, where I blend and juxtapose themes, to widen the scope of interpretation, I have done so with the recent associated collage prepared for this song, particularly playing with location and time.
I hope you and Blondie’s fans, find the piece of interest and that it takes the great original in a new and contrasting direction.
I thank Gavin Beckwith of GB Sound for his engineering skills.”
Blabber and Smoke and Blah, Blah, Blah was released September 2022.
This version is the first studio recording featuring Keith Smith on guitar. A full band version was recorded by the Grant Wright Band.
The song is about searching for space to think. By dealing with adversity and varied challenges, hope can shine through.
A live performance at The Standard London recorded in March 1996.
This second cover of the Otis Redding classic by Grant and Matthew includes passages of acapella, showing off Grant's vocal abilities.
This version of Death be Damned was recorded by Of the Heart in 1983 after being first recorded by The Shattered Dreams.
This records an early working of Passion and Pain before all parts and arrangements were finalised
The track Tough Days is given the instrumental treatment with Grant on keyboard and drum programming and Keith Smith on guitar.
This version of Hard Headed Man was recorded live at The Standard in London in September 1996.
This recording of the Robert Johsnon blues classic Crossroads was captured live in the studio.
A deep dive into the archive found this track left unreleased by the band.
Written by Willie Dixon and recorded by Howlin' Wolf, this blues classic is given the down and dirty treatment.
This is the full band version of the track first recorded by Grant and Keith Smith.
This track is the first recorded version of the song later recorded by Of the Heart. The song reflects Grant's fascination with New York comparing it with his adopted city.
This track is recorded live at The Standard, Blackhorse Road, London in September 1996.
This track is recorded live at The Standard, Blackhorse Road, London on 9 March 1996.
A live take of the always popular Everybody's Talking. Recorded at The Standard, Black Horse Road, London in March 1996.
This live version from 1996 of the atmospheric track, Her Tropical Storm, was inspired by time in Australia. The recording was made at The Standard, Blackhorse Road in London during a performance on 22 June.
The recording was made at The Standard, Blackhorse Road, London in March 1996.
Grant wrote the lyrics, melody lines and other phrases which were worked on with Keith Smith and then presented to The Grant Wright Band for this recording.
This version of Freight Train is the full band recording and was a great crowd favourite at gigs.
This version of Hard Headed Man is a demo of a track later recorded by The Grant Wright Band.
This version of A Strong Man was recorded at a live gig at The Standard in London in March 1996.
This version is the full band recording of a track which was a crowd favourite.
This is the "extra dub" version of Running on Empty, featuring Grant Wright, Keith Smith on guitar and the studio engineering skills of Kevin Davis.
This is the full band version of the track originally recorded by Grant and Keith Smith.
This version of Tropical Storm is the demo prior to the full Grant Wright Band version of the song. Keith Smith is on guitar. Kevin Davis, drummer with The Shattered Dreams, was at the engineering controls.
This recording is the full band workout of the tune Running on Empty, which was a concert favourite and was recorded in different arrangements.
Those Eyes was a very early song written by Grant for The Shattered Dreams. Grant feels in retrospect, that the piece was possibly subliminally inspired by the works of Don Van Vliet aka Captain Beefheart.
Death Be Damned was written and sung by Grant Wright; performed by The Shattered Dreams and is about Man’s, possibly unique situation, of having to live with an awareness of the inevitability of ultimate death.
Pumping Iron comments upon the world of heavy exercising, bodybuilding and the whole culture around it. Grant says it was written as a song to be played in gyms and as an intense dance-type piece.
Grant commends the experienced combo of Kevin and David from The Shattered Dreams on drums and bass respectively and loves the intense guitar work and use of pedals by the late Philip Joyner.
This recording was made at The Standard in September 1996.
This recording of How Many Times was recorded at the legendary Hare and Hounds venue in Islington, London in October 1993.
The recording was solely performed by Grant and Keith utilising keyboards and programmed drum tracks together with guitar played by Keith. Roger Benou undertook the studio engineering.
Grant wrote lyrics, drums, and various keyboard lines and Keith played various guitar phrases. In spite of the song being heavy and intense, it has almost a dance sound and mix.
Grant and Keith recorded the song at the home studio of Kevin Davis before it was later worked on by the full band line-up.
The track was recorded live at The Standard, Blackhorse Road, London in March 1996. The song was a crowd favourite, always getting a great reaction.
A live version of the classic blues song, written by Johnny 'Guitar' Watson, performed at The Standard, Blackhorse Road, London.